Goan fisherman steal the show on ‘dolphin trip’

Early Friday morning, a longboat arrived at the beach in front of our bungalow. Similar to a large canoe, it featured an outboard motor and a wooden outrigger cobbled together with yellow rope. Marianna and I waded through the water to climb into the boat, and sat while the older fisherman and his young assistant remained in the water waiting for a break in the waves before pushing the boat back out to sea for our “dolphin trip.”

We motored to the edge of the bay, occasionally pausing to scan the sea for dolphins. A few fins surfaced. An arched back, a flip of a tail. Maybe five dolphins in all, including a baby. After the excitement of our dolphin encounter in the Maldives last year, this was rather anticlimactic.

Our captain maneuvered his little craft toward a larger boat, where men were hauling in a huge red net jumping with sardines. About ten skinny workers clad in underpants and tank tops clustered at the stern, pulling the net hand-over-hand, their upper bodies bowing jerkily up and down, brown legs tensing with the effort. They sang as they worked, a repetitive chorus in response to a leader’s verse. Our boatmen chuckled, and the younger man noted how singing makes work easier. I almost asked what the song meant, but I worried the lyrics might be embarrassing to translate. Instead, I asked how long it would take to finish the job. About one and a half hours, he replied.

As the song continued, empty net piled at the fishermen’s feet and captive fish were forced into the remaining space at the sea’s surface. Trapped, the sardines leapt and splashed, some catapulting out of the net and back to freedom, some flipping into the claws of swooping brahminy kites. The brown-and-white birds circled the boat, stealing frantic fish – both at sea level and in the air. Near collisions and threatening shrieks resulted in surrender, fish falling from loosened claws, snatched from the sky by the aggressor.

I hadn’t brought my camera on our brief excursion, but the image would have made a brilliant photo. The paint-peeling fishing boat, bobbing in a jade sea, dark bodies bent over crimson nets, small orange buoys evenly spaced along the net’s edge floating amorphously around the boat, a blazing neon sun rising over the forested hills that jut up from the beach, and birds of prey suspended like a mobile overhead.

Here’s a photo of a brahminy kite taken by Johan Stenlund and posted on his website, Birds in India/Goa. Now imagine scores of them circling the fishing boat!
brahminy kite

Here’s a photo of a fishing boat at our beach, similar to the one that took us on our “dolphin trip.”
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Goa-geous spring break!

After countless vacations at the various baby-powder beaches of Thailand, I have developed a serious case of Beach Snobitis. I have high expectations for cleanliness of sand and sea, pleasant water temperatures, spectacular panoramas, and local flavor. I also have little tolerance for drunken backpackers, cigarette butts, and loud late-night music. Stranded in India until certain visa issues get resolved, I grudgingly agreed to Spring Break on the beach in Goa with my friend Marianna. Generally an optimist, I was, nevertheless, prepared for disappointment.

We arrived Tuesday afternoon at H2O Agonda for five nights in a beachfront bungalow. Realizing our hut abutted the thatch-roofed restaurant, I immediately protested. Most beach hotels cater to the party crowd, and I am too old for that. Insomnia is my constant companion; I don’t need help from the hotel bar. Unfortunately, no other bungalows were available, so we moved in to the space, which is equally split between a bedroom and an open-air bathroom.

I’ll spare you the suspense: This place is wonderful! The loudest sound is the crashing surf. Aside from an occasional cow patty, the sandy beach is clean and mostly litter-free. At one end, boulders rise up in clusters, begging to be climbed. I splashed into the warm sea this morning to find turbulent water and powerful breakers, perfect for body surfing. Eventually worn out, I sat at the edge of the tide, drizzling wet sand onto my legs and letting the waves wash over me.

I guess I can handle this for a few more days.
H2O Agonda

Sari School wraps up my birthday

In my closet here in New Delhi, I have a stunning lehenga with a long full skirt of gold and a low-back fitted top heavy with beads. The sheer saffron dupatta adds an extra touch of glamour. When elegant occasions (or fabulous photo opps with friends) arise, it’s my go-to garment. Other ladies opt for the sari, but my one experience draped in six yards of slippery chiffon filled me with anxiety. Sure, several large safety pins held it securely in place, but I spent the evening worried I or someone else would step on the hem and bring the whole mess down around my ankles.

Sari stress.
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The thing is, my lehenga is almost too fabulous. It’s actually a tad over the top. I feel a tiny competitive urge to understand the sari and its appeal to Indian ladies. Women from all walks of life wear it effortlessly – riding sidesaddle on the back of a motorcycle, swishing through a crowded cocktail party, balancing a basket of bricks atop their heads at a construction site, strolling arm-in-arm with friends, shopping, dancing, driving. I’ve seen young girls playing volleyball in their saris. What’s to fear?

A group of us from AES spent my birthday afternoon learning more about India’s sari tradition and experimenting with several styles. Textile scholar Rta Kapur Chishti has published several books about saris, including Saris of India: Tradition and Beyond, and her label TAANBAAN promotes the revival of hand spinning and hand weaving in India. She launched The Sari School in 2009 to promote and celebrate “the unstitched garment.”

“We have great backsides in India,” Chishti said. “We have great backsides and great busts. But we don’t reveal them. We drape them.”

With that, she kicked off her fascinating – and cheeky – presentation. Her slides took us on a tour with photos and facts about saris in most of the Indian states. The white saris of Kerala were traditionally splashed with turmeric or vermillion for a wedding, but the new bride would wash it clean again for daily use. Many Chinese artisans settled in Gujarat, explaining the heavily embroidered saris there. Madya Pradesh is known for its 9-yard sari and double-color borders. Ladies in Andara pleat their saris in the back. And so on. She explained the science behind the sari; for example, the fabric is woven more loosely in the middle and with tighter density along the borders and free ends to better stand up to wear and tear.

The choli, a short, tight blouse, is believed to be a relatively recent addition to the sari ensemble, especially in the south. Chishti told an anecdote about a government official trying to impose western-style modesty before the arrival of a British leader. He passed out cholis to the ladies in town, who turned out for the procession with their bosoms exposed and blouses worn on their heads like colorful caps.

After the slideshow, we practiced wrapping ourselves in the provided saris. (Unfortunately, I wore jeans and a long-sleeved shirt, which looked ridiculous under the saris. Bad choice.) During a break, I was treated to a little birthday celebration with cupcakes baked by my friend Skye.

First, we learned the Mohiniattam style from Kerala, which gathers up nine yards of fabric to create a dainty look with a little apron of pleats in the front. Mine wasn’t so dainty.

Next, we learned two Bengali styles: Nadia, which seemed more stereotypical with the free end of the sari (pallu) draped over the head, and the Dhokna Jalpaiguri style, a one-shouldered drape with the pallu wrapped around back and tied in the front. Very funky!

Finally, we looped the sari through our legs for the Odissi Dance style from Orissa, which was basically a pantsuit.

Nancy and I browsed through the TAANBAAN items for sale, and I bought an eye-popping orange cotton sari. I need to get the blouse made, but then I’ll give the complicated “unstitched garmet” another shot.

Chishti’s one admonition: no pins! Yikes, I’m not sure if I’m ready for that.

You can see more photos at my flickr.com set Sari School.