Tag Archives: TEXTILES

Sariously?!

Why must fabrics in India be so pretty?! How can a girl resist?
420699_10150578446841906_614196905_9116093_2003555686_n

My friend Nancy played host for a little sari party last night. A man, whose name I failed to get in my bling-induced fervor, brought heaps of fabric, saris, lehengas (a long full skirt with belly top), and embroidered salwar kameez suits (long blousy top with Hammer pants).

Nancy took these photos with her phone, mostly with hands shaking from laughter.

This is one of my favorite moments of the evening, when Nancy’s maid, Sonu, took the bindi off her own face and stuck it on Nancy for the full effect.
65780_10150578448271906_1529823265_n

Andi looks like a fairy princess in this lehenga. She wins the prize for best adjective: “bedazz-erific.”
425523_10150578448861906_614196905_9116106_51887272_n

Sandra couldn’t be bothered with asking Sari Man to wrap her properly.
430561_10150578449236906_614196905_9116108_617253018_n

Katrina tried this lehenga on first, but then I tackled her and stole it. Because a girl can’t have too many lehengas … and because my other lehenga is gold and red, and my Chinese feng shui horoscope said I should be wearing more blue to counter my “pitta” fire element. See? I can justify ANY purchase.
430729_10150578447451906_614196905_9116096_1728686604_n

425396_10150578450121906_614196905_9116114_1926801855_n

Lao Textiles

As Rand, the two Tonys and I walked around Vientiane yesterday, we popped in to Lao Textiles, a company run by an American woman named Carol Cassidy. I mistakenly thought it was a weaving workshop, and I wanted to see whether we could all take a class. Rand, a self-proclaimed interiors junkie, had read about Cassidy and said it was the only “don’t miss” on his list of things to see here. Serendipity brought us to her doorstep!
When we first arrived, her assistant gave us a quick tour and some background information. When Cassidy showed up, she absolutely fell in love with fellow creative spirits Rand and Tony N.
Nursing a broken foot, she plopped down in a chair and chatted with us as though we were neighbors or longtime friends. It soon became clear that she was not some idealistic do-gooder who breezed in to Laos and produced a few scarves. Although her relief work has created jobs and changed the lives of Lao villagers and landmine victims in Cambodia, she has also built a wildly successful textile empire in Southeast Asia.
Her staff use modified looms that Cassidy designed to combine European and Lao weaving techniques, enabling them to create longer and wider lengths of silk fabric with stunning traditional and contemporary patterns. She still sells scarves and wall hangings in her restored Vientiane mansion and upscale U.S. boutiques, but she also has contracts with several haute couture houses, the Guggenheim Museum, and some very wealthy American socialites. For one rich family, she produced gold silk wallpaper! As we walked through her studio, she pointed out various projects underway on the looms, including solid fuchsia silk for a Yves St. Laurent sofa and creamy silk with a gold and silver pattern destined to be Chanel curtains.
Cassidy told us that some big projects can take more than a year to complete, and I read on her website that only two centimeters per day are woven on the most complex designs.
She clearly enjoyed discussing the design world with Rand and unpretentiously asked him questions about different artisans and designers who might appreciate her creations. Tony N flipped through iPhone images of their furniture designs, and she gleefully inquired about their work. As we were leaving, she practically begged for their contact information.
My Tony and I felt so fortunate to be participants in this conversation. We obviously wouldn’t have been able to engage Cassidy so much on our own! Note to self: Always take Tony N and Rand along when you visit artsy destinations.
For more information on Carol Cassidy, check out her website at www.laotextiles.com.

Here are some photos of her workshop. I don’t know why I didn’t get a shot of HER or any of her finished work. Duh.